We have added two new sets of photos of Dakota in Italy where she is filming A Bigger Splash, she also spent time hanging out with friends and eating ice cream ! …
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Dakota Johnson knows that Christian Grey prefers brunettes!�Perhaps that’s why, after a brief stint back as a blonde, the Fifty Shades of Grey star reverted to brown hair � la Anastasia Steele!
The 24-year-old actress debuted her new darker ‘do Thursday afternoon in New York City’s SoHo neighborhood. The brunette-again star looked very laid-back and city chic wearing a sheer cream blouse underneath white overalls paired with sunglasses and Converse sneakers.
Dakota was also snapped at LAX with Jamie Dornan over the weekend …
She is a budding actress on the cusp of stardom.�But over the weekend Dakota Johnson proved she is also a hero after saving 10 horses in Italy from being slaughtered.The 24-year-old reportedly donated nearly $8,000 to Pantelleria Equestrian Center, effectively saving many four legged friends.
On Saturday, the blonde starlet was spotted riding horses at the ranch, showing off her expert equestrian skills.�Wearing a flowy yellow blouse and skinny jeans with Converse All Stars, Dakota bonded with the gorgeous horses.�With her hair flowing in loose waves over her shoulders as she protected her eyes from the glaring sun in dark sunglasses.
Dakota has decided to go back to her natural look as she revealed her bright blonde locks at the Stella McCartney�s Green Carpet Collection show in London yesterday evening.
The actress was among the many stars that made their way to the The Royal British Institute as part of the London Fashion Week proceedings.
Guests were able to look at the designer’s new collection while sipping on Patr�n Tequila cocktails which were made using Sir Paul McCartney�s recipe and Peroni Piccola.
We have a new image of Dakota in Cymbeline, and screen capped the trailer too.
A hamfisted attempt to inject “relevance” into one of Shakespeare�s more unfashionable plays, Michael Almereyda�s �Cymbeline� works best as a cautionary tale concerning the dangers of of believing that everything written by The Bard is �timeless.� Laboring under the misconception that the problem with the play as written was the singular lack of Apple products, (�Prithee, hie and away to an iPhone that we may snapchat till the morrow, good sir�) and not the awkward, coincidence-laden plot nor the jawdroppingly regressive gender politics, both of which remain mystifyingly intact, Almereyda makes only the most cosmetic of changes. Language (admittedly streamlined), storyline, character and even place names remain, only the clothes, cars and gadgets differ. Still, a lot of name actors get to thesp about with “thous” and “wherefores,” and some even do it rather well.
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